Making Home, Smithsonian Design Triennial
Featuring Correspondence Song which accompanies Heather Dewey-Hagborg’s Is a Biobank a Home.
https://www.nytimes.com/2024/10/23/arts/cooper-hewitt-smithsonian-design-triennial.html
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Featuring 25 site-specific, newly commissioned installations, Making Home—Smithsonian Design Triennial explores design’s role in shaping the physical and emotional realities of home across the United States, US Territories, and Tribal Nations. The exhibition is the seventh offering in the museum’s Design Triennial series, which was established in 2000 to address the most urgent topics of the time through the lens of design.
Installed throughout the Andrew and Louise Carnegie Mansion, each floor of the exhibition is organized by themes that evoke experiences of home:
“Going Home” (ground and first floor) considers how people shape and are shaped by domestic spaces. Through reinterpretations of diverse home environments that traverse interior and exterior spaces, this section explores the historical and personal factors that influence home design and its profound impact on people’s experiences, behaviors, and values.
“Seeking Home” (second floor) addresses a range of institutional, experimental, and utopian contexts that challenge conventional definitions of home. Installations examine the idea of home through the lenses of cultural heritage, the human body, imagined landscapes, and refuge.
“Building Home” (third floor) presents alternatives to single-family construction models, expanding and redefining home to embrace community space, cooperative living, land stewardship, decolonial practices, and historic preservation. Large-scale installations explore building typologies grounded in regional histories and cultural specificity, and address contemporary issues such as housing precarity, environmental advocacy, memory, and aging.
